Category: sound
-
a thing done
A five minute extract from reference footage captured of the burning tree, as it happened during the opening performance of Storm.1: Nothing remains the same – Pontrhydfendigaid, Cerdigion, February 15th…
-
things told, and things done
The first public step and proposition of The Storm Cycle, designated Storm.1, and titled Nothing remains the same, has taken its place amongst the possibilities of the real, amongst those things that can happen – and was performed, for the 350 people who travelled to gather and meet it, in Pafiliwn Bont, Pontrhydfendigaid. The work,…
-
grey line [twilight]
Tomorrow we perform Grey Line – an interventional new public art work for radio, that Rosa Casado and I have been developing since spring, and that has turned out be simultaneously one of our smallest and largest scale works. The piece has been commissioned by Consonni, and takes as its context and broadcast platform an…
-
no matter how many people believe in it
Here are a handful of photographs taken during our performance of What if everything we know is wrong? within a cleared out floor of Alhóndiga in Bilbao last weekend. This latest manifestation of the work was commissioned by Azkuna Zentroa as part of their final 3, 2, 1 programme – and was again retitled specifically…
-
hindsight
The last still and silent trace of ‘what if everything we know is wrong? – as we performed it tonight, here in this cleared and appropriated Madrid studio – after we, our sounds, and the gathered crowd, have all left… Image: Mike Brookes
-
introduced birdsong
Today we conclude our Historic parking lots of Providence project, highlighting thirty of downtown Providence’s surface level parking lots that – contrary to assumptions that they are spaces of transition, neglect, or failed development projects – have in fact been designated as parking lots, and have remained unchanged and in use as such, since at…
-
chorus
As the low evening sunlight floods the studio, we are opening its doors, for the first public prototyping of some of our introduced birdsong boxes. Installed, in this case, simply as a single fifteen metre choral row along one wall of our temporary home here in Salina – waiting to be met and triggered… Image:…
-
here we are…
Eighteen months after the last public work in the series – in which we ‘revisited’ the now absent buildings of the former Euskalduna Shipyard in Bilbao – we have shifted our focus back to the development of our long term just a little bit of history repeating project. And for this phase, we have moved…
-
speaking of art
Gathering with our colleagues from NIDO here in Madrid, we have now initiated the Hablando de arte (Speaking of Art) audio and radio project, after a year of periodic planning. Drawing on William Furlong’s transcripts of interviews from the Audio Arts archive – we are inviting a selection of guest professionals, friends, and relations, to…
-
screens and headphones
Giving myself a little time and distance to reflect on the realities of our run of Coriolan/us last month, I have been spending some of my days slowly reviewing and combining the continuous camera and headphone feeds that we generated and broadcast live within the work – and which were captured and recorded on the evening…
-
Houston, we’ve had a problem
Yesterday saw the latest version of our initial work from What if everything we know is wrong? – performed under soft early evening sunlight, within one of the large empty shower rooms of this former pit head bath house, amongst the vast Zollverein colliery site here in Essen. This time we subtitled the event Houston,…
-
what if everything we know is wrong?
Last weekend, commissioned to perform the initial work from our developing What if everything we know is wrong? project, Rosa Casado and I stepped into a large clear room in Artium – Vitoria’s ten year old contemporary art gallery – carrying a bag of pocket dictaphones, a small roll of tape, a black marker pen,…
-
¿todo bajo control? [ everything under control? ]
Rosa Casado and I [foreground] snapped at a successful ‘bring your own wine and headphones’ silent concert experiment in a small Madrid apartment last weekend – courtesy of colleagues Gichi-Gichi Do. And the sound experiments continue…
-
can everyone see me if I stand on this chair?
Last night Rosa Casado and I performed the first public work from our What if everything we know wrong? project, under the chandeliers and crystal wall lights of Brown’s Alumnae Hall, where we tried to reconstruct somewhere else – somewhere specific that we know, and have been trying to unpick. From a bag containing thirty pocket…
-
unnecessary activity in a room
Over this past week it has become increasingly clear that the work we are trying to propose here is simply a visible public attempt to construct one place, from collected fragments and details, within another place, where it wouldn’t otherwise be present – and the use of that attempt to allow the possible meeting place…
-
an act of representation
Today I am packing for a month long residency in the States – an invitation split between New York and Rhode Island, culminating in an event at Brown University. The invitation, and our intention, is to find form for a new performance project we are calling What if everything we know is wrong?. Creatively, all…