a thing done
A five minute extract from reference footage captured of the burning tree, as it happened during the opening performance of Storm.1: Nothing remains the same – Pontrhydfendigaid, Cerdigion, February 15th…
A five minute extract from reference footage captured of the burning tree, as it happened during the opening performance of Storm.1: Nothing remains the same – Pontrhydfendigaid, Cerdigion, February 15th…
The first public step and proposition of The Storm Cycle, designated Storm.1, and titled Nothing remains the same, has taken its place amongst the possibilities of the real – and
Tomorrow we perform Grey Line – an interventional new public art work for radio, that Rosa Casado and I have been developing since spring, and that has turned out be
Here are a handful of photographs taken during our performance of What if everything we know is wrong? within a cleared out floor of Alhóndiga in Bilbao last weekend. This
The last still and silent trace of ‘what if everything we know is wrong? – as we performed it tonight, here in this cleared and appropriated Madrid studio –
Today we conclude our Historic parking lots of Providence project, highlighting thirty of downtown Providence’s surface level parking lots that – contrary to assumptions that they are spaces of transition,
As the low evening sunlight floods the studio, we are opening its doors, for the first public prototyping of some of our introduced birdsong boxes. Installed, in this case, simply
Eighteen months after the last public work in the series – in which we ‘revisited’ the now absent buildings of the former Euskalduna Shipyard in Bilbao – we have shifted
Gathering with our colleagues from NIDO here in Madrid, we have now initiated the Hablando de arte (Speaking of Art) audio and radio project, after a year of periodic
Giving myself a little time and distance to reflect on the realities of our run of Coriolan/us last month, I have been spending some of my days slowly reviewing and combining
Yesterday saw the latest version of our initial work from What if everything we know is wrong? – performed under soft early evening sunlight, within one of the large empty
Last weekend, commissioned to perform the initial work from our developing What if everything we know is wrong? project, Rosa Casado and I stepped into a large clear room in
Rosa Casado and I [foreground] snapped at a successful ‘bring your own wine and headphones’ silent concert experiment in a small Madrid apartment last weekend – courtesy of colleagues Gichi-Gichi
Last night Rosa Casado and I performed the first public work from our What if everything we know wrong? project, under the chandeliers and crystal wall lights of Brown’s Alumnae
Over this past week it has become increasingly clear that the work we are trying to propose here is simply a visible public attempt to construct one place, from collected
Today I am packing for a month long residency in the States – an invitation split between New York and Rhode Island, culminating in an event at Brown University. The