screens and headphones
Giving myself a little time and distance to reflect on the realities of our run of Coriolan/us last month, I have been spending some of my days slowly reviewing and combining
Giving myself a little time and distance to reflect on the realities of our run of Coriolan/us last month, I have been spending some of my days slowly reviewing and combining
Before more detailed traces and remnants of our Coriolan/us project begin to gather, I thought that I would mark its completion with a quick camera phone image, snapped across that
Today the site for our production of Coriolan/us this coming August has officially been announced – Hangar 858 – a decommissioned WW2 aircraft hanger in St Athan, South Wales. Built in
At the heart of any event – memorable or otherwise – something concrete is happening. An obvious statement in itself, but still an acknowledgement that has engaged my thoughts a
I always look forward to site visits. Even when they are likely to end in disappointment, they are still revealing. The collective decision to step beyond the theoretical that provokes
Rosa Casado and I [foreground] snapped at a successful ‘bring your own wine and headphones’ silent concert experiment in a small Madrid apartment last weekend – courtesy of colleagues Gichi-Gichi
As Mike Pearson and I simultaneously turn up the heat on our Coriolan/us process with the new year, trading thoughts over distance for little while longer, it seems that we
Here are three short fragments of video I have been revisiting – from CCTV surveillance footage recorded by South Wales Police during work that Mike Pearson, Ed Thomas and I
A day in Cardiff. Mike Pearson and I met a cast of fourteen actors, with colleagues from the Royal Shakespeare Company and National Theatre Wales, for an open cold reading
THE ASSASSINATION OF LLWYD AP IWAN BY THE OUTLAWS WILSON AND EVANS A couple of months ago, picking up threads from our recent conversations, Mike and I proposed a
Following the success of our located production of The Persians, within the landscape of an MOD range in the Brecon Beacons, for the 2010 inaugural session of National Theatre Wales;